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Search Results: 1 - 10 of 746 matches for " Heloisa; "
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Monumento e sombra na Brasília de Marcel Gautherot
Espada, Heloisa;
Novos Estudos - CEBRAP , 2012, DOI: 10.1590/S0101-33002012000200010
Abstract: the objectivity and clarity of marcel gautherot's photographs of brasília, combined to the remarkable presence of thick shadows and sharp perspectives, bring them close, from a formal point of view, to the early works of the italian painter giorgio de chirico. the article measures up gautherot's artistic perspective against the intentions of architects lucio costa and oscar niemeyer and the literary and critical interpretations that describe the city as a "methaphysical" and "surrealist" landscape.
A paix?o pelas formas
Pontes, Heloisa;
Novos Estudos - CEBRAP , 2006, DOI: 10.1590/S0101-33002006000100006
Abstract: taking the books o espírito das roupas e a idéia e o figurado as a guideline, this article analyses the intellectual trajectory of gilda de mello e souza (1919-2005). it shows how the author took advantage of a wide variety of sources, from history to sociology, from anthropology to aesthetics, to create a work full of insights and freedom of expression, and to sharpen her approach to the objects analysed.
Modas e modos: uma leitura enviesada de O espírito das roupas
Pontes, Heloisa;
Cadernos Pagu , 2004, DOI: 10.1590/S0104-83332004000100003
Abstract: the article tries to link the history of the book o espírito das roupas reception to fragments of the author?s trajectory. gilda de mello e souza, when coming from fiction to essay, has produced one of the most innovative analyses on fashion, interpreting it as a symbolic language that creates plasticity and expression to diffuse ideas and feelings. this work goes beyond the point of seeing fashion solely as a means of social belonging and distinction. thus the book, written more than half a century ago, keeps nowadays its vigor.
Beleza roubada: gênero, estética e corporalidade no teatro brasileiro
Pontes, Heloisa;
Cadernos Pagu , 2009, DOI: 10.1590/S0104-83332009000200006
Abstract: drawing from a broader research on gender inflections in the brazilian intellectual field and in brazilian drama, between 1940 and 1968, the article discusses the relations between aesthetics and gender, and their implications on the careers of actresses cacilda becker, maria della costa, t?nia carrero and cleyde yáconis. according to testimony of those who saw her perform on stage, cacilda was never hampered by her less favorable physical attributes. the hypothesis is that this is due to the cunning tricks of the conventions of dramatic arts that allow the dodging of social, gender and physical constraints. widely evoked by the media to portrait, underline or diminish women under its focus, beauty rarely features as a relevant dimension in the analysis of female trajectories. hence the interest in discussing the subject through its refraction on the process of social construction of artistic careers.
Inventando nomes, ganhado fama: as atrizes do teatro brasileiro, 1940-68
Pontes,Heloisa;
Etnográfica , 2008,
Abstract: sharing the presupposition that the personal naming is a ?privileged entry door to the study of how the great factors of social differentiation become operative through the personal action? (pina cabral 2005), the article, ?inventing names, acquiring fame: the brazilian theater actresses, 1940-60?, discuss the issues of the artistic name and of the renown reached by the brazilian theater actors. it approaches the names as dynamic instruments of action with the aim at verifying the logic that rules over the choice of the artistic names beyond the discursive rationality specific to each individual case. in the process of the social construction of the artist and of the person that houses it, different marks of gender, class, and generation are combined. in this way, it does not seem random that, in so much unequal and hierarchical societies as the brazilian one, activities that are dependent upon the body have being converted into a symbolic capital that is essential to ?make? famous a name. of this situation are the witnesses the theater?s actors approached in the article and, contemporaneously, the models and the soccer players.
Práticas educativas familiares: a família como foco de aten??o psidoeducacional
Szymanski, Heloisa;
Estudos de Psicologia (Campinas) , 2004, DOI: 10.1590/S0103-166X2004000200001
Abstract: this article aims to bring into consideration the family as a focus of psychoeducational help. as a first step in that direction it is presented a critical view of the essentialist perspective on that subject. then, family is presented as a context of human development and an educational locus that needs specific knowledge and practice in order to accomplish its socialization role. the conclusion points to the need of multidisciplinary research on the subject of psychoeducational help to families, so that scientific knowledge can subsidize practice in that field.
A conforma??o dos ecomuseus: elementos para compreens?o e análise
Barbuy, Heloisa;
Anais do Museu Paulista: História e Cultura Material , 1995, DOI: 10.1590/S0101-47141995000100019
Abstract: this article seeks to trace an overall history of ecomuseums - especially in france - and to detect its roots in folkloristic as well as regional ethnography movements, trom the end of the 19th-century until now. aspects usually underrated are emphasized, as the role of collections and cultural heritage and the museographic patterns.
O Brasil vai a Paris em 1889: um lugar na Exposi??o Universal
Barbuy, Heloisa;
Anais do Museu Paulista: História e Cultura Material , 1996, DOI: 10.1590/S0101-47141996000100017
Abstract: the a. studies the meaning of brazilian presence in the 1889 universal exposition in paris trom a museographical point of view. based on rich and in large part ignored or underexplored sources, she reveals the efforts ma de to show brazil as an attractive country for foreigners and analyzes the allegorical repertoire put into action, along with the rhetorics or different sorts of exhibition, either of natural and manufactured items as well as artistic and scientific in character.
Crítica de cultura no feminino
Pontes, Heloisa;
Mana , 2008, DOI: 10.1590/S0104-93132008000200009
Abstract: the article analyses the inflections of gender upon the brazilian intellectual field, in its interface with literary and cultural critique, from the 1920's to the 1960's. it focuses on the trajectory of three expressive women who achieved renown as critics of culture, essayists and writers: lúcia miguel pereira, patrícia galv?o and gilda mello e souza. the three belong to distinct generations and cover the political spectrum of the time: from communism to socialism, for patrícia galv?o, through the intellectual circles of catholicism, for lúcia miguel pereira, or else maintaining a certain distance from these issues and establishing an academic intellectual identity, in the case of gilde de mello e souza. when taken as a set and in the context of the constraints that derive from gender relations, they delineate some of the possible fields for the intellectual activity of women at the time. so as to avoid essentializing social markers that only become analytically potent when placed in relationship, the article concludes by a comparison of the intellectual and theatrical fields, in order to contrast career opportunities and the distinct ways of making a "name" for oneself that were available to intellectuals and actresses at the time.
A revolu??o demográfica dos povos indígenas no Brasil: a experiência dos Kayabí do Parque Indígena do Xingu, Mato Grosso, Brasil, 1970-2007
Pagliaro, Heloisa;
Cadernos de Saúde Pública , 2010, DOI: 10.1590/S0102-311X2010000300015
Abstract: this paper analyzes the demographic dynamics of the kayabí, a tupi people in the xingu indian reservation in central brazil, from 1970 to 2007. data were gathered from vital statistics for the xingu indian reservation at the federal university in s?o paulo. contact with brazilian national society from 1920 to 1950 in the upper teles pires river valley led to a population decrease due to clashes and epidemics. in 1952, part of the kayabí group gradually began migrating to the xingu, where they still live. in 1970 there were 204 kayabí in xingu villages, and by 2007 there were 1,162, representing a 4.8% annual growth rate. for 2000-2007 the crude birth rate was 51 per thousand inhabitants; total fertility rate 7.8 children per women; crude death crude 3.5 per thousand inhabitants; and infant mortality rate 17.5 per thousand live births. the majority of the population is under 15 years of age (55.9%). the results show a population recovery process, similar to that of some other indigenous group in brazil.
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