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Search Results: 1 - 10 of 602440 matches for " A. Vicente de Haro "
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Andrés Lema-Hincapié, Kant y la Biblia: principios kantianos de exégesis bíblica
Vicente de Haro
Diánoia , 2007,
Posibilidades de una comunidad virtual de ciencias del deporte
Vicente Martínez de Haro,María José álvarez Barrios,Lourdes Cid Yagüe,Ignacio Garoz Puerta
Revista de Investigación en Educación , 2003,
Abstract: En este artículo exponemos brevemente qué es la comunidad virtual de ciencias del deporte y su evolución. Reflexionamos sobre cuatro ámbitos de trabajo de la comunidad virtual: expresión corporal, actividad física en poblaciones especiales, hockey y baloncesto.
The Laughter of Ticklishness Is a Darwinian Feature Related to Empathy in Both Genders: Self-Esteem in Men and Sexism in Women  [PDF]
Verónica Juárez-Ramos, Elvira Salazar-López, María ángeles Rodríguez Artacho, K. Chmielowiec, A. Riquelme, J. Fernández-Gómez, A. I. Fernández-Ramirez, A. Vicente de Haro, A. Miranda, M. Caballero, B. Machado, Antonio González Hernández, Emilio Gómez Milán
Open Journal of Medical Psychology (OJMP) , 2014, DOI: 10.4236/ojmp.2014.31002
Abstract: The theory of false alarm for laughter could explain the involuntary laugh when someone is tickled. To put this hypothesis to the test, we handed out a questionnaire (180 items) with two hundred university students. Our main results are: In women who like being tickled, we discover components related to pleasure, erotism, feeling of affection, arousal, uncontrollability, domination, sexism and Darwinian (golden ratio) and psychological traits (empathy, low schizotypy and external locus of control) that are not present in the laughter at a stumble. The relation of both types of laughter with sense of humor is also differential. In men who like being tickled, we discover components related to masturbation, sexual fantasies, erotism, arousal, domination, sexist humour and Darwinian (square chin, feeling of masculinity) and psychological traits (empathic stress, low schizotypy, external locus of control and overall self-esteem). The relationship between being tickled and self-esteem shows a double aspect in men: It is positive in men who like being tickled and negative in men who do not like being tickled. For women there is not a relationship between self-esteem and tickling. Our conclusion is that laughter of ticklishness is a Darwinian feature related to empathy.


Juan Mu oz. Retrospectiva. Museo Nacional Centro de Arte Reina Sofía, 21 de abril-31 de agosto de 2009
de Haro García, Noemi
Archivo Espa?ol de Arte , 2010,
Albert Batlle; Narcís Selles:Art a Olot durant el franquisme i la transició a la monarquia parlamentària. Un assaig d’aproximació
de Haro García, Noemí
Archivo Espa?ol de Arte , 2007,
Demixing can occur in binary hard-sphere mixtures with negative non-additivity
A. Santos,M. Lopez de Haro
Physics , 2004, DOI: 10.1103/PhysRevE.72.010501
Abstract: A binary fluid mixture of non-additive hard spheres characterized by a size ratio $\gamma=\sigma_2/\sigma_1<1$ and a non-additivity parameter $\Delta=2\sigma_{12}/(\sigma_1+\sigma_2)-1$ is considered in infinitely many dimensions. From the equation of state in the second virial approximation (which is exact in the limit $d\to\infty$) a demixing transition with a critical consolute point at a packing fraction scaling as $\eta\sim d 2^{-d}$ is found, even for slightly negative non-additivity, if $\Delta>-{1/8}(\ln\gamma)^2$. Arguments concerning the stability of the demixing with respect to freezing are provided.
Síndrome de PRES en la sepsis Posterior reversible encephalopathy syndrome (pres) in sepsis
C. de Haro,R. Ferrer,A. Tercero,J. Vallés
Medicina Intensiva , 2012,
Julio González (Barcelona, Museu Nacional d’Art de Catalunya, 28/10/2008 a 25/01/2009 y Madrid, Museo Nacional Centro de Arte Reina Sofía, 11/03/2009 a 01/06/2009)
de Haro García, Noemi,Murga Castro, Idoia
Archivo Espa?ol de Arte , 2009,
Estella, Margarita M.,Kume, Junko,De Haro García, Hoemí
Archivo Espa?ol de Arte , 2006,
de Haro García, Noemi,Murga Castro, Idoia,Hajná, Milena
Archivo Espa?ol de Arte , 2009,
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