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Os visitantes do Museu Paulista: um estudo comparativo com os visitantes da Pinacoteca do Estado e do Museu de Zoologia
Almeida, Adriana Mortara;
Anais do Museu Paulista: História e Cultura Material , 2004, DOI: 10.1590/S0101-47142004000100020
Abstract: this article presents and discusses the differences between the audiences of history, science and art museums, with emphasis on visitors' motivations and expectations. the "discourse" of museu paulista visitors will be described in terms of what they liked most and what benefits they felt they have gained with the visit. the article intends to contribute to brazilian studies on museums' audiences, an area that is still evolving. audience surveys may help museums to reorganize their programmes according to their mission, but with a clear view of the interests of their present and potential audiences. initially, this article debates the issue of the museums' typology as the basis for the research hypothesis: whether the visitors' motivations and expectations vary according to museum type. then, the theoretical references guiding the methodology will be presented, as well as some empirical results. in the last part, the responses of museu paulista visitors are described, presenting their interpretation of the museum's exhibitions, from the receiver/audience's point of view. this paper has brought forth many issues for further investigation on museum attendance and visitor's interpretation of exhibitions.
Os visitantes do Museu Paulista: um estudo comparativo com os visitantes da Pinacoteca do Estado e do Museu de Zoologia  [cached]
Adriana Mortara Almeida
Anais do Museu Paulista: História e Cultura Material , 2004,
Abstract: This article presents and discusses the differences between the audiences of history, science and art museums, with emphasis on visitors motivations and expectations. The discourse of Museu Paulista visitors will be described in terms of what they liked most and what benefits they felt they have gained with the visit. The article intends to contribute to Brazilian studies on museums audiences, an area that is still evolving. Audience surveys may help museums to reorganize their programmes according to their mission, but with a clear view of the interests of their present and potential audiences. Initially, this article debates the issue of the museums typology as the basis for the research hypothesis: whether the visitors motivations and expectations vary according to museum type. Then, the theoretical references guiding the methodology will be presented, as well as some empirical results. In the last part, the responses of Museu Paulista visitors are described, presenting their interpretation of the museum s exhibitions, from the receiver/audience s point of view. This paper has brought forth many issues for further investigation on museum attendance and visitor s interpretation of exhibitions.
Da Palavra à Imagem: sobre o programa decorativo de Affonso Taunay para o Museu Paulista
Mattos, Claudia Vallad?o de;
Anais do Museu Paulista: História e Cultura Material , 1999, DOI: 10.1590/S0101-47141999000100006
Abstract: the present paper studies the internal decoration of the museu paulista, created and implemented by affonso d'escagnolle taunay during his term as a director of that institution, trying to understand the strategies he used to translate his theoretical convictions into a convincing visual language. the author also analyses the relations of taunay's proposed decorative project with the vast tradition of european decorative cycles and, more specifically, with the projects of the construction of a national identity through painting, which was defended by some artists who had a certain relation with the fine-arts academy during the 19th century.
Ornamenta??o do Museu Paulista para o Primeiro Centenário: constru??o de identidade nacional na década de 1920
Makino, Miyoko;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100010
Abstract: in the last decades, several studies have focused museu paulista, the collections, the monument building and afonso de escragnole taunay's term, helping for the development of the historical knowledge and the architectural, artistic and cultural patrimony of s?o paulo. the museum's ornamentation, organized by taunay, for the commemorations of the first centennial of independence, in 1922, composed essentially of paintings and sculptures, aiming to narrate the colonial period up to the independence, is the focus of studies. the sources allowed us to understand the way the themes were selected, the making and the disposition of the works, in various levels, in the hall, the stairway and the honour room. the initial years of taunay's term (1917 - 1945) were propitious for the making of the ornamentation, given the official support and the financial resources obtained, including the ones from the society of s?o paulo. the finalization of the ornamentation, nevertheless, took two decades, due to the exiguity of the income, after the centennial festivities. the ornamentation was granted as concluded by taunay, with the placing of the last amphora on the stairway, in 1931, and the publishing of the guide of the historical section of museu paulista (guia da sec??o histórica do museu paulista), in 1937. however, the last paintings were made and incorporated in the 1960's.
Ornamenta o do Museu Paulista para o Primeiro Centenário: constru o de identidade nacional na década de 1920
Miyoko Makino
Anais do Museu Paulista: História e Cultura Material , 2003,
Abstract: In the last decades, several studies have focused Museu Paulista, the collections, the monument building and Afonso de Escragnole Taunay's term, helping for the development of the historical knowledge and the architectural, artistic and cultural patrimony of S o Paulo. The museum's ornamentation, organized by Taunay, for the commemorations of the First Centennial of Independence, in 1922, composed essentially of paintings and sculptures, aiming to narrate the colonial period up to the independence, is the focus of studies. The sources allowed us to understand the way the themes were selected, the making and the disposition of the works, in various levels, in the Hall, the Stairway and the Honour Room. The initial years of Taunay's term (1917 - 1945) were propitious for the making of the ornamentation, given the official support and the financial resources obtained, including the ones from the society of S o Paulo. The finalization of the ornamentation, nevertheless, took two decades, due to the exiguity of the income, after the Centennial festivities. The ornamentation was granted as concluded by Taunay, with the placing of the last amphora on the Stairway, in 1931, and the publishing of the Guide of the Historical Section of Museu Paulista (Guia da Sec o Histórica do Museu Paulista), in 1937. However, the last paintings were made and incorporated in the 1960's.
Museu Paulista da USP: percursos e desafios
Oliveira, Cecília Helena de Salles;
Estudos Avan?ados , 2011, DOI: 10.1590/S0103-40142011000300025
Abstract: this article emphasizes milestones in the centenary history of museu paulista and discusses some of the problems and dilemmas faced nowadays by history museums, pointing out the challenges encountered by university museums.
O Museu Paulista da USP e a memória da Independência  [cached]
Oliveira Cecilia Helena de Salles
Cadernos CEDES , 2002,
Abstract: O objetivo deste artigo é discutir os vínculos entre o Museu Paulista da usp e o movimento de constru o e atualiza o da memória da Independência, problematizando-se por meio dessas rela es o papel pedagógico assumido pela institui o, particularmente na primeira metade do século XX. Pretende-se desse modo contribuir para a reflex o sobre a maneira pela qual um museu de história pode ser interpretado como "lugar de memória" e como espa o para a formula o e encaminhamento de problemas históricos.
Duas fontes documentais para o estudo dos pre os dos escravos no Vale do Paraíba paulista  [cached]
Marcondes Renato Leite,Motta José Flávio
Revista Brasileira de História , 2001,
Abstract: Estudam-se os pre os dos escravos em quatro localidades do Vale do Paraíba paulista com base na compara o de duas distintas fontes documentais no período 1872-1874. Para Cruzeiro e Lorena, utilizou-se a Lista de Classifica o para Emancipa o. Para Guaratinguetá e Silveiras lan ou-se m o das escrituras de compra e venda de cativos. As semelhan as e diferen as observadas refletem as características de cada uma das fontes aludidas. As escrituras de compra e venda fornecem os pre os dos escravos de forma mais próxima dos valores de mercado, todavia abrangendo parcela n o t o representativa da popula o cativa vis-à-vis a Lista de Classifica o. Esta última, por sua vez, ao passo que caracterizada pela maior abrangência, encerra maiores imprecis es quando se trata das avalia es individuais dos escravos arrolados.
O Servi?o de Objetos do Museu Paulista
Almeida, Adilson José de;Ribeiro, Angela Maria Gianeze;Barbuy, Heloisa;Andreatta, Margarida Davina;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100013
Abstract: it focuses the organization of the department of object collections of museu paulista - curatorship and information system - and its research directions: 1. formation of the collections. 2. money alternative forms. 3. visual culture in the 19th century: museums, industrial exhibitions and cities / commerce, industrialization and material culture. 4. historical and industrial archaeology. 5. military life and material culture.
O Servi o de Objetos do Museu Paulista  [cached]
Adilson José de Almeida,Angela Maria Gianeze Ribeiro,Heloisa Barbuy,Margarida Davina Andreatta
Anais do Museu Paulista: História e Cultura Material , 2003,
Abstract: It focuses the organization of the Department of Object Collections of Museu Paulista - curatorship and information system - and its research directions: 1. Formation of the collections. 2. Money alternative forms. 3. Visual Culture in the 19th century: museums, industrial exhibitions and cities / Commerce, industrialization and Material Culture. 4. Historical and Industrial Archaeology. 5. Military life and Material Culture.
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