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Dicotomías narrativas en "El árbol" de María Luisa Bombal
BIANCO,PAOLA;
Acta literaria , 2002, DOI: 10.4067/S0717-68482002002700007
Abstract: in this article i analyze how maría luisa bombal reflects the condition of the hispanic woman through her social and historical textualization. in all of her literary work, there exists a constant presence of nature that comes to symbolize her feminine character intimacy and their marginal situation. in "the tree", the author presents a dichotomic structure that polarizes the narrative into two antagonistic, hierarchic, and different forces. and, the barrier that delimits them constitutes a border that separates these two irreconcilable worlds. maría luisa bombal reveals in this short story how the patriarchal system ignores the feminine subjectivity, and how this one achieves expression in the alienated withdrawal of nature
Dicotomías narrativas en "El árbol" de María Luisa Bombal
PAOLA BIANCO
Acta Literaria , 2002,
Abstract: In this article I analyze how María Luisa Bombal reflects the condition of the Hispanic woman through her social and historical textualization. In all of her literary work, there exists a constant presence of nature that comes to symbolize her feminine character intimacy and their marginal situation. In "The Tree", the author presents a dichotomic structure that polarizes the narrative into two antagonistic, hierarchic, and different forces. And, the barrier that delimits them constitutes a border that separates these two irreconcilable worlds. María Luisa Bombal reveals in this short story how the patriarchal system ignores the feminine subjectivity, and how this one achieves expression in the alienated withdrawal of nature
Eco-feminismo en la narrativa surrealista de María Luisa Bombal Eco-feminism in Maria Luisa Bombal's Surrealist Narrative  [cached]
Zoila Yovanna Clark
Cuadernos del CILHA , 2010,
Abstract: Este trabajo presenta un análisis de tres cuentos de Maria Luisa Bombal: "El árbol", "Las islas nuevas" y "La historia de María Griselda" usando el concepto de écriture féminine de Hélène Cixous y el de eco-feminismo, según Ress y Warren. Se se ala una perspectiva eco-feminista en la escritura surrealista de Bombal por la identificación de los personajes femeninos con la naturaleza, al desarrollar los problemas íntimos que éstas padecen. Se trata de una búsqueda sensorial, a través del inconsciente de un nuevo entendimiento del deseo femenino, que sigue siendo un misterio. Using Hélène Cixous' concept of écriture féminine and Ress' and Warren's interpretation of eco-feminism, this work presents an analysis of three short stories by Maria Luisa Bombal: "The Tree," "New Islands" and "María Griselda." Bombal's surrealist writing involves a sensorial quest through the unconscious mind in search of a new understanding of female desire, which is still veiled in mystery. Since Bombal identifies female characters with nature when developing intimate female issues, an eco-feminist perspective has particular resonance in a discussion of her work.
La última niebla de María Luisa Bombal: excentricidad, desacato y eroticidad en el devenir identitario femenino
PATRICIA ESPINOSA H.
Acta Literaria , 2005,
Abstract: La última niebla, de María Luisa Bombal (1910-1980) publicada por primera vez en 1934 no se aleja de la denuncia político-social y se inserta en la configuración de mundos femeninos diezmados. La develación de un territorio privado en crisis posibilita el discurrir de una conciencia que construye un mundo distanciado de lo real, fenómeno que en la narrativa de mujeres chilenas pertenecientes a la alta burguesía se evidencia con gran fuerza en producciones de principios del XX, pero que en el caso de Bombal adquirirá características particularmente rupturistas debido, sobre todo, a la irrupción del erotismo como fuerza constituyente de la intimidad María Luisa Bombal’s (1910-1930) La última niebla, first published in 1934, is not devoid of socio-political criticism. It fits into the category of novels which present unfulfilled female worlds. The unveiling of a private sphere in crisis makes possible the unfolding of a conscience; this in turn gives shape to a world detached from reality. This is a phenomenon which appears with great force in the narrative of Chilean bourgeoisie women at the turn of the 20th century. In the case of Bombal, it will acquire traits which are particularly confrontational, due -to great extent- to the irruption of eroticism as a constituent element of intimacy
La última niebla de María Luisa Bombal: excentricidad, desacato y eroticidad en el devenir identitario femenino
ESPINOSA H.,PATRICIA;
Acta literaria , 2005, DOI: 10.4067/S0717-68482005000200002
Abstract: maría luisa bombal?s (1910-1930) la última niebla, first published in 1934, is not devoid of socio-political criticism. it fits into the category of novels which present unfulfilled female worlds. the unveiling of a private sphere in crisis makes possible the unfolding of a conscience; this in turn gives shape to a world detached from reality. this is a phenomenon which appears with great force in the narrative of chilean bourgeoisie women at the turn of the 20th century. in the case of bombal, it will acquire traits which are particularly confrontational, due -to great extent- to the irruption of eroticism as a constituent element of intimacy
Eco-feminismo en la narrativa surrealista de María Luisa Bombal
Clark,Zoila Yovanna;
Cuadernos del CILHA , 2010,
Abstract: using hélène cixous' concept of écriture féminine and ress' and warren's interpretation of eco-feminism, this work presents an analysis of three short stories by maria luisa bombal: "the tree," "new islands" and "maría griselda." bombal's surrealist writing involves a sensorial quest through the unconscious mind in search of a new understanding of female desire, which is still veiled in mystery. since bombal identifies female characters with nature when developing intimate female issues, an eco-feminist perspective has particular resonance in a discussion of her work.
HOUSE OF MIST, DE MARíA LUISA BOMBAL: UNA NOVELA OLVIDADA
RUBIO,PATRICIA;
Literatura y lingüística , 1998, DOI: 10.4067/S0716-58111998001100014
Abstract: erróneamente se ha sostenido que house of mist es la versión al inglés de la última niebla. tal vez por esto no ha sido traducida al espa?ol y ha recibido escasa atención crítica. ambas novelas desarrollan un mismo tema, pero lo tratan desde perspectivas distintas. en house of mist las relaciones intertextuales con el cuento de hadas, especialmente con cenicienta y la bella y la bestia, son el soporte literario para el desarrollo de la temática amorosa, la caracterización de los personajes y la significación última del texto. en el presente trabajo documento la confusión crítica que aún existe sobre ambos textos para despejar equívocos. analizo la significación de las relaciones intertextuales entre house of mist y los cuentos mencionados, para concluir que la novela avanza el pensamiento de bombal sobre las relaciones de género y contribuye, por lo tanto, a una mejor comprensión de la totalidad de su obra
HOUSE OF MIST, DE MARíA LUISA BOMBAL: UNA NOVELA OLVIDADA  [cached]
PATRICIA RUBIO
Literatura y lingüística , 1998,
Abstract: Erróneamente se ha sostenido que House of Mist es la versión al inglés de La última niebla. Tal vez por esto no ha sido traducida al espa ol y ha recibido escasa atención crítica. Ambas novelas desarrollan un mismo tema, pero lo tratan desde perspectivas distintas. En House of Mist las relaciones intertextuales con el cuento de hadas, especialmente con Cenicienta y La Bella y la Bestia, son el soporte literario para el desarrollo de la temática amorosa, la caracterización de los personajes y la significación última del texto. En el presente trabajo documento la confusión crítica que aún existe sobre ambos textos para despejar equívocos. Analizo la significación de las relaciones intertextuales entre House of Mist y los cuentos mencionados, para concluir que la novela avanza el pensamiento de Bombal sobre las relaciones de género y contribuye, por lo tanto, a una mejor comprensión de la totalidad de su obra
"?Se mueve la niebla con nosotros?": personajes y vanguardia en María Luisa Bombal
Echenberg, Margo;
En-claves del pensamiento , 2010,
Abstract: upon being asked to lengthen her novel la amortajada to at least two hundred pages, maría luisa bombal opted not for a literal translation, but rather wrote the shrowded woman (1947). this article looks at the additions to the novel in english in relation to the evolution of the main character both in this novel and in la amortajada, a novel written in spanish and published by the prestigious editorial sur in buenos aires ten years earlier. bombal's prose in english in the added chapters of the novel contrasts with her lyrical style in spanish that skill-fully portrays both the desire and sense of lack suffered by the protagonist. as such, the english language novel is a more conventional work. moreover, the new chapters of the shrowded woman focus not on the protagonist but rather on secondary characters, rendering the romantic entanglements more complicated and verging on the melodramatic. the study of the new segments of the novel written in english proves them not only to be superfluous in terms of the development of the main character but in fact partly responsible for impoverishing the novel. this same conclusion, nevertheless, suggests just how bombal's prose in spanish is poised on the avant-guard.
EL SECRETO PROFESIONAL ANTE EL NOTARIO  [cached]
Ignacio Vidal Domínguez
Ius et Praxis (En línea) , 2002,
Abstract: Nuestra legislación en general se encuentra inspirada en el principio de la publicidad registral. Por lo mismo llama la atención que en lo notarial pueda existir algo "secreto". No existe en los protocolos a cargo de los notarios nada que sea privado. Lo mismo ocurre con respecto a los registros y libros a cargo de conservadores y archiveros judiciales. Sin embargo no es tan así de simple. Las líneas que siguen pretenden dar algunas luces sobre el tema, casi no tratado hasta ahora, al menos en nuestra doctrina, no así en la extranjera. El tema en absoluto está agotado. Nuestra pretensión es entregar los primeros esbozos para un estudio más acabado. In general, our legislation is based on the principals of registering publicity. Therefore, it calls our attention the fact that there can be something "secret" in the notarial. There does not exist anything that is private in the protocol in charge of the notaries. It is the same with records and books, which the legal preservers and file clerks are in charge of. However, it is not that simple. The guidelines they follow try to give some light on this subject, which has hardly been dealt with until now, at least in our area, although it has been touched abroad. The subject has not run out. We intend to give the first outlines for a more profound study.
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