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PROPOSICIóN DE ESTILOS PARA EL ARTE RUPESTRE DEL VALLE DE PUTAENDO, CURSO SUPERIOR DEL RíO ACONCAGUA
Troncoso M,Andrés;
Chungará (Arica) , 2003, DOI: 10.4067/S0717-73562003000200003
Abstract: this paper presents new archaeological research undertaken on the rock art of the putaendo valley. from the information gathering, we are proposing the existence of three styles of rock art associated with the late intermediate (900-1.400 a.d.), late or inca (1.400-1.536 a.d.) and historical periods (1.536 a.d. onwards).
POR CERROS, VALLES Y RINCONADAS: INVESTIGACIONES ARQUEOLóGICAS EN EL VALLE DEL RíO PUTAENDO, CUENCA SUPERIOR DEL RíO ACONCAGUA
Pavlovic B.,Daniel; Troncoso M.,Andrés; González C.,Paola; Sánchez R.,Rodrigo;
Chungará (Arica) , 2004, DOI: 10.4067/S0717-73562004000400025
Abstract: this paper presents the results of the archaeological investigations carried out in the valley of putaendo, in the upper basin of the river aconcagua, central zone of chile. these have permitted to characterize in preliminary form the settlement pattern, the material culture contexts, the chronology and the relations with adjacent areas of the human occupations developed during the prehispanic period in the valley
HACIA UNA SEMIóTICA DEL ARTE RUPESTRE DE LA CUENCA SUPERIOR DEL RíO ACONCAGUA, CHILE CENTRAL TOWARD A SEMIOTIC OF ROCK ART from THE UPPER BASIN OF THE ACONCAGUA RIVER, CENTRAL CHILE  [cached]
Andrés Troncoso M.
Chungará (Arica) - Revista de Antropología Chilena , 2005,
Abstract: En el presente trabajo se conceptualizan las materialidades prehispánicas como conjuntos semióticos específicos producto de una forma particular de pensamiento. A partir de la caracterización semiótica del arte rupestre de la cuenca superior del río Aconcagua, que permite definir dos estilos de petroglifos, se procede a su comparación con otros sistemas de representación visual de la zona de estudio, con el fin de acercarse a la caracterización de una semiótica general que defina la producción material de estos grupos. Los resultados alcanzados permiten discutir la asociación cronológica cultural del arte rupestre local, proponiéndose su asociación a los períodos Intermedio Tardío y Tardío In this article the material world of prehispanic central Chile is conceptualized as a system of specialized semiotics and a product of a particular thought process. Using a semiotic characterization of a rock art from the upper basic of the Aconcagua River has allowed the characterization of two rock art styles. These styles are compared with other representational systems from the same area in order to characterize a general semiotic principle for the production of the visual systems such as pottery and architecture. The results allow for a discussion of chronological associations of local rock art, with ties to the Late Intermediate Period and Late Horizon
POR CERROS, VALLES Y RINCONADAS: INVESTIGACIONES ARQUEOLóGICAS EN EL VALLE DEL RíO PUTAENDO, CUENCA SUPERIOR DEL RíO ACONCAGUA  [cached]
Daniel Pavlovic B.,Andrés Troncoso M.,Paola González C.,Rodrigo Sánchez R.
Chungará (Arica) - Revista de Antropología Chilena , 2004,
Abstract: Se presentan los resultados de las investigaciones arqueológicas realizadas en el curso superior del río Putaendo, importante afluente de la cuenca alta del río Aconcagua, las cuales han permitido establecer una caracterización preliminar del patrón de asentamiento, los contextos de cultura material, la cronología y las relaciones con áreas aleda as de las ocupaciones humanas desarrolladas durante el período Alfarero en la zona This paper presents the results of the archaeological investigations carried out in the valley of Putaendo, in the upper basin of the river Aconcagua, central zone of Chile. These have permitted to characterize in preliminary form the settlement pattern, the material culture contexts, the chronology and the relations with adjacent areas of the human occupations developed during the prehispanic period in the valley
EL ARTE DE LA DOMINACIóN: ARTE RUPESTRE Y PAISAJE DURANTE EL PERíODO INCAICO EN LA CUENCA SUPERIOR DEL RíO ACONCAGUA THE ART OF DOMINATION: ROCK ART AND LANDSCAPE IN INkA TIMES IN THE UPPER BASIN OF ACONCAGUA RIVER  [cached]
Andrés Troncoso M.
Chungará (Arica) - Revista de Antropología Chilena , 2004,
Abstract: Considerando las características formales y espaciales del arte rupestre en la Cuenca Superior del río Aconcagua, Chile central, se aborda la comprensión de la presencia incaica en la zona de estudio y, en especial, el papel jugado por este sistema de representación visual en el proceso de dominio estatal. Para ello, se define la función social del arte rupestre durante el período Intermedio Tardío. Seguidamente, considerando el sentido de esta expresión material y los cambios que lo afectaron durante tiempos incaicos, se analiza el arte rupestre como un agente activo en los procesos sociales de ocupación espacial y dominación implantados por el Tawantinsuyu en la Cuenca Superior del río Aconcagua Considering the formal and spatial characteristics of the rock art in the upper basin of Aconcagua river, central Chile, I attempt to understand the Inka presence in this region and, particularly, the social role played by this system of visual representation. For this purpose, the social function of rock is defined for the Late Intermediate period. Next, considering the meaning of the material statement and the changes that affected it during Inka times, I analize it as an active agent in the social process of spatial occupation and domination imposed by the Tawantinsuyu in the upper basin of the Aconcagua river
HACIA UNA SEMIóTICA DEL ARTE RUPESTRE DE LA CUENCA SUPERIOR DEL RíO ACONCAGUA, CHILE CENTRAL
Troncoso M.,Andrés;
Chungará (Arica) , 2005, DOI: 10.4067/S0717-73562005000100003
Abstract: in this article the material world of prehispanic central chile is conceptualized as a system of specialized semiotics and a product of a particular thought process. using a semiotic characterization of a rock art from the upper basic of the aconcagua river has allowed the characterization of two rock art styles. these styles are compared with other representational systems from the same area in order to characterize a general semiotic principle for the production of the visual systems such as pottery and architecture. the results allow for a discussion of chronological associations of local rock art, with ties to the late intermediate period and late horizon
EL ARTE DE LA DOMINACIóN: ARTE RUPESTRE Y PAISAJE DURANTE EL PERíODO INCAICO EN LA CUENCA SUPERIOR DEL RíO ACONCAGUA
Troncoso M.,Andrés;
Chungará (Arica) , 2004, DOI: 10.4067/S0717-73562004000200016
Abstract: considering the formal and spatial characteristics of the rock art in the upper basin of aconcagua river, central chile, i attempt to understand the inka presence in this region and, particularly, the social role played by this system of visual representation. for this purpose, the social function of rock is defined for the late intermediate period. next, considering the meaning of the material statement and the changes that affected it during inka times, i analize it as an active agent in the social process of spatial occupation and domination imposed by the tawantinsuyu in the upper basin of the aconcagua river
STYLISTIC MEANS OF VALUE CONCEPTS REPRESENTATION IN ADVERTISING  [PDF]
Malygina Anastasiya Sergeevna
Magister Dixit , 2011,
Abstract: This article presents an attempt to analyze the stylistic peculiarities of value concepts actualization in advertisements.
Stylistic Variation in an Information Retrieval Experiment  [PDF]
Jussi Karlgren
Computer Science , 1996,
Abstract: Texts exhibit considerable stylistic variation. This paper reports an experiment where a corpus of documents (N= 75 000) is analyzed using various simple stylistic metrics. A subset (n = 1000) of the corpus has been previously assessed to be relevant for answering given information retrieval queries. The experiment shows that this subset differs significantly from the rest of the corpus in terms of the stylistic metrics studied.
On the Interactivity of Stylistic Analysis  [cached]
Lihua LIU
Studies in Literature and Language , 2011, DOI: 10.3968/j.sll.1923156320110203.013
Abstract: Stylistics can be viewed as an area of study which straddles literary criticism and linguistics. Even though different linguistic schools result in different approaches to stylistics, every stylistic approach will incorporate in its paradigm some key factors such as the reader and the author. This thesis is a tentative study of how these factors interact with one another and ultimately form a basis for interactivity in stylistics. Key words: Stylistics; Interactivity; Analysis
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