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O Servi?o de documenta??o textual e iconografia do Museu Paulista
Makino, Miyoko;Silva, Shirley Ribeiro da;Lima, Solange Ferraz de;Carvalho, Vania Carneiro de;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100014
Abstract: the essay compares the curatorship's works realized during the decade of 1990 by the actual department of textual and iconographical documentation of museu paulista, responsible for the mp fund / permanent file (fundo mp/arquivo permanente), hundreds of collections and textual funds and 50.000 iconography pieces, great part of which are gathered in photographic collections. it shows how the documentation work extrapolates the limits of svdhico in order to integrate itself with the group activities of the museum and with other research groups. it also points towards new work methodologies which allow to perform the curatorship in an integrated way with the interdisciplinary research and the culture diffusion.
O Servi o de documenta o textual e iconografia do Museu Paulista  [cached]
Miyoko Makino,Shirley Ribeiro da Silva,Solange Ferraz de Lima,Vania Carneiro de Carvalho
Anais do Museu Paulista: História e Cultura Material , 2003,
Abstract: The essay compares the curatorship's works realized during the decade of 1990 by the actual Department of Textual and Iconographical Documentation of Museu Paulista, responsible for the MP Fund / Permanent File (Fundo MP/Arquivo Permanente), hundreds of collections and textual funds and 50.000 iconography pieces, great part of which are gathered in photographic collections. It shows how the documentation work extrapolates the limits of SVDHICO in order to integrate itself with the group activities of the museum and with other research groups. It also points towards new work methodologies which allow to perform the curatorship in an integrated way with the interdisciplinary research and the culture diffusion.
Um museu para o século XXI: o Museu Paulista e os desafios para os novos tempos
Glezer, Raquel;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100002
Abstract: this essay peers into the knowledge about museu paulista, in its two buildings, in s?o paulo and itu: what is it in our days; how it was created and transformed into a history museum; the historical contents shown within its walls as a materialized past; the historical, national and international contexts, which are not cited; the actual social demands and the need of a project for the future.
Um museu para o século XXI: o Museu Paulista e os desafios para os novos tempos
Raquel Glezer
Anais do Museu Paulista: História e Cultura Material , 2003,
Abstract: This essay peers into the knowledge about Museu Paulista, in its two buildings, in S o Paulo and Itu: what is it in our days; how it was created and transformed into a History museum; the historical contents shown within its walls as a materialized past; the historical, national and international contexts, which are not cited; the actual social demands and the need of a project for the future.
O Museu Paulista da USP e a memória da Independência  [cached]
Oliveira Cecilia Helena de Salles
Cadernos CEDES , 2002,
Abstract: O objetivo deste artigo é discutir os vínculos entre o Museu Paulista da usp e o movimento de constru o e atualiza o da memória da Independência, problematizando-se por meio dessas rela es o papel pedagógico assumido pela institui o, particularmente na primeira metade do século XX. Pretende-se desse modo contribuir para a reflex o sobre a maneira pela qual um museu de história pode ser interpretado como "lugar de memória" e como espa o para a formula o e encaminhamento de problemas históricos.
O Museu Paulista e a história da antropologia no Brasil entre 1946 e 1956
Fran?ozo, Mariana;
Revista de Antropologia , 2005, DOI: 10.1590/S0034-77012005000200006
Abstract: this paper deals with the history of the museu paulista between 1946 and 1956. its aim is to understand the role of this institution in the field of anthropology during that decade. in order to do so, we investigate the activities pursued by its employees, as well as the relations between these anthropologist and the social sciences research centers in s?o paulo. the conclusion shows that, in the first half of the 20th century, german anthropologists had a very significant role in the development and consolidation of the social sciences in brazil.
Ornamenta??o do Museu Paulista para o Primeiro Centenário: constru??o de identidade nacional na década de 1920
Makino, Miyoko;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100010
Abstract: in the last decades, several studies have focused museu paulista, the collections, the monument building and afonso de escragnole taunay's term, helping for the development of the historical knowledge and the architectural, artistic and cultural patrimony of s?o paulo. the museum's ornamentation, organized by taunay, for the commemorations of the first centennial of independence, in 1922, composed essentially of paintings and sculptures, aiming to narrate the colonial period up to the independence, is the focus of studies. the sources allowed us to understand the way the themes were selected, the making and the disposition of the works, in various levels, in the hall, the stairway and the honour room. the initial years of taunay's term (1917 - 1945) were propitious for the making of the ornamentation, given the official support and the financial resources obtained, including the ones from the society of s?o paulo. the finalization of the ornamentation, nevertheless, took two decades, due to the exiguity of the income, after the centennial festivities. the ornamentation was granted as concluded by taunay, with the placing of the last amphora on the stairway, in 1931, and the publishing of the guide of the historical section of museu paulista (guia da sec??o histórica do museu paulista), in 1937. however, the last paintings were made and incorporated in the 1960's.
Ornamenta o do Museu Paulista para o Primeiro Centenário: constru o de identidade nacional na década de 1920
Miyoko Makino
Anais do Museu Paulista: História e Cultura Material , 2003,
Abstract: In the last decades, several studies have focused Museu Paulista, the collections, the monument building and Afonso de Escragnole Taunay's term, helping for the development of the historical knowledge and the architectural, artistic and cultural patrimony of S o Paulo. The museum's ornamentation, organized by Taunay, for the commemorations of the First Centennial of Independence, in 1922, composed essentially of paintings and sculptures, aiming to narrate the colonial period up to the independence, is the focus of studies. The sources allowed us to understand the way the themes were selected, the making and the disposition of the works, in various levels, in the Hall, the Stairway and the Honour Room. The initial years of Taunay's term (1917 - 1945) were propitious for the making of the ornamentation, given the official support and the financial resources obtained, including the ones from the society of S o Paulo. The finalization of the ornamentation, nevertheless, took two decades, due to the exiguity of the income, after the Centennial festivities. The ornamentation was granted as concluded by Taunay, with the placing of the last amphora on the Stairway, in 1931, and the publishing of the Guide of the Historical Section of Museu Paulista (Guia da Sec o Histórica do Museu Paulista), in 1937. However, the last paintings were made and incorporated in the 1960's.
Revista do Museu Paulista e(m) capas: identidade e representa o institucional em texto e imagem  [cached]
Vera Lúcia Nagib Bittencourt
Anais do Museu Paulista: História e Cultura Material , 2012,
Abstract: This paper offers a reflection about the writing of History, based on the study of Revista do Museu Paulista's covers, noticeably during the term of its two first directors, when a certain editorial continuity was preserved. Taken as "sources", namely as historian subjects, those covers reveal evidences of practices that allow one to reconstitute, in its historic dimensions, the complex connection between the creation of the Revista, its materiality, and the reading and interpretation efforts that condition and reflect liaisons with writers and readers during the first decades of the XXth Century, from S o Paulo, where it was published..
História nacional em S?o Paulo: o Museu Paulista em 1922
Brefe, Ana Cláudia Fonseca;
Anais do Museu Paulista: História e Cultura Material , 2003, DOI: 10.1590/S0101-47142003000100006
Abstract: the essay is about the five first years of affonso de escragnolle de taunay's term in the museu paulista, from 1971 to 1922. in this short period, essential to understand the profile the museum acquired later, taunay gave the ancient institution of ipiranga the main outlines of a museum of history, or even more precisely, a "place of national memory", intending to establish it as a place of origin of the brazilian nation and, at the same time, granting s?o paulo with the longed outstanding place in the national scenario. the author deals this way with the main transformations that had been carried out in the museum, in relation to the naturalist hermman von ihering's former term as a director, following year by year the opening of new room dedicated to the national history and the s?o paulo's realization of the historic decoration of the monumental spaces of the museum for the brazil's independence centenary party in 1922.
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