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El retorno de Susana Soca  [cached]
Valentina Litvan?Shaw
Amerika : Mémoires, Identités, Territoires , 2011, DOI: 10.4000/amerika.2612
Abstract: El retorno de Susana Soca a la crítica uruguaya1 tras varias décadas de silencio es significativo de la actualidad de una figura que, gracias a su revista La Licorne, publicada en dos etapas (París 1947 –Montevideo 1953), representa de manera indiscutible las relaciones literarias transatlánticas de mediados del siglo XX. Y si tras el acontecimiento trágico de su muerte en 1959 Susana Soca quedó relegada del campo literario es, en parte, por el elemento extranjerizante y anacrónico que encarnaba en un momento de aguda conciencia crítica latinoamericana.Pero el lugar de Soca entre dos mundos no se limita a su actividad de editora entre Francia y Uruguay. Mi hipótesis es que el retorno opera también en su poesía y en sus ensayos como un gesto de escritura que da sentido y unidad a toda su obra. El retorno funciona en sus textos como un mecanismo que nos permite comprender el lugar en el que Soca se sitúa, no desde un afuera extranjerizante, sino en la mirada extra ada de quien regresa al origen. After various decades of silence, Susana Soca’s return to Uruguayan literary criticism is significant due to the prevalence of her magazine La Licorne, published in two periods (Paris 1947 – Montevideo 1953), and which represents without a doubt a model of transatlantic literary relations of the mid 20th Century.if after the tragic event of her death in 1959, Susana Soca was relegated to minor status in the literary scene, it is, in part, due to the foreign tendencies and anachronistic elements that she incarnated in a moment of acute Latin-American consciousness. But Susana Soca’s place in between two worlds is not limited to her activity as an editor between France and Uruguay. My hypothesis is that the return also operates in her poetry and in her essays as an act of writing that gives meaning and unity to her work. The return functions in her texts as a mechanism that allows us to understand the place in which Susana Soca is situated, not as that of a foreign-outsider, but as that of someone who returns to her origin with an estranged gaze.
Poema de Carlos Drummond de Andrade  [cached]
José Cláudio de Almeida Abreu
Caligrama : Revista de Estudos Romanicos , 1983,
Abstract: Palavras-chave: Literatura brasileira; poesia; Carlos Drummond de Andrade; tradu o; língua espanhola. Keywords: Brazilian literature; poetry; Carlos Drummond de Andrade; translation; Spanish.
El extra o caso de Susana Soca  [cached]
Valentina Litvan
Cuadernos LIRICO : Revista de la Red Interuniversitaria de Estudios sobre las Literaturas Rioplatenses Contemporáneas en Francia , 2010,
Abstract: Cuando primero Rubén Darío y más tarde ángel Rama establecen sus respectivas antologías de raros, no solamente quieren destacar a determinadas figuras, rescatarlas, darles visibilidad, sino que están poniendo en cuestión el modo en que se constituye una tradición. Quién la integra y con qué legitimidad ? Partiendo de estas premisas, me interesa analizar el caso de Susana Soca, una escritora uruguaya que parece entrar en la tradición desde un lugar periférico, extra o y extranjerizante ; u...
SOCIETY,LITERATURE,CULTURE,POETIC,MARIO DE ANDRADE  [PDF]
Cassiana Lima Cardoso
Psicanálise e Barroco em Revista , 2007,
Abstract: The aim of this work is to promote a reading of social and cultural aspect of Brazil the period from 1922 to 1945 considering the poetic of Mario de Andrade in his Poesias Completas. The tension with reality felt by his lyricism joined in his poems as weel as the variousmasks that he embodies to paint his time, will be analyzed according to the changes witch took place in his poetry form.
O pote e a rodilha, de Abrah o Costa Andrade
Glenn W. Erickson
Princípios : Revista de Filosofia , 2007,
Abstract: Resenha do livro "O pote e a rodilha: tempo e imagina o como história por fazer segundo o pensamento de Paul Ricoeur", de Andrade, Abrah o Costa. Natal: EDUFRN, 2006. [Cole o Metafísica]. 134 páginas.
Polvo en la tierra: la poesía temprana de Susana March  [cached]
Cavallo, Susana
Arbor : Ciencia, Pensamiento y Cultura , 2006, DOI: 10.3989/arbor.2006.i720.42
Abstract: The first poetry production of the Barcelonian writer Susana March (1915-1990) who belonged to the 36’ Generation is hereby studied. Her most abundant poetry production belongs to the 1938- 1953 period. Economical poverty problems torced her and her husband Ricardo Fernández de la Reguera to produce a comercial type literatura. Her poem collections: Rutas, Poemas de la Plaza Real and La pasión desvelada are analysed. Se estudia la producción poética primera de la escritora barcelonesa Susana March (1915-1990) perteneciente a la Generación del 36. Su actividad poética más fecunda cabe datarla en el periodo de 1938-1953. Razones de estrechez económica la obligaron, junto con su marido Ricardo Fernández de la Reguera, a producir una literatura de carácter comercial. Se analizan sus poemarios: Rutas, Poemas de la Plaza Real y La pasión desvelada .
William Carlos Williams and Carlos Drummond de Andrade: A Poetics of Generosity
Valente, Luiz Fernando
Ellipsis , 2005,
Abstract: This essay brings together American poet William Carlos Williams and Brazilian poet Carlos Drummond de Andrade as practitioners of a “poetics of generosity,” defined as a combination of the authors' humanistic engagement with certain key themes inherent in the Judeo-Christian tradition and preference for a simple, unrhetorical poetic diction.
Memória e coloniza??o em Carlos Drummond de Andrade
Frochtengarten, Fernando;
Psicologia & Sociedade , 2004, DOI: 10.1590/S0102-71822004000300012
Abstract: seen as the dissemination of cultural output from a social agent through the submission of a population and nature, colonization follows the ongoing globalization of the contemporary world. from some poems by carlos drummond de andrade on to discuss the consequences of mineral extraction on itabira's landscape, this article aims the impact of the charging landscape, guided by interests alien to the local population, its roots and social memory. this essay suggests that, in such conditions, the memory takes on forms of resistance to the evils generated by this mode of contact with the outer world.
Jornalismo e História nas Cr nicas de Carlos Drummond de Andrade: 1930 - 1950.  [cached]
Matheus de Mesquita e Pontes
OPSIS : Revista do Departamento de História e Ciências Sociais , 2004,
Abstract: This article tries, at an amalgam of History, Literature and Journalism, to make an analysis of the first, second and third books of chronicle from Carlos Drummond de Andrade. / Esse artigo busca através de uma rela o interdisciplinar entre a História, a Literatura e o Jornalismo, fazer uma análise dos três primeiros livros de cr nicas de Carlos Drummond de Andrade.
Susana Soca, autora  [cached]
Valentina Litvan
Cuadernos LIRICO : Revista de la Red Interuniversitaria de Estudios sobre las Literaturas Rioplatenses Contemporáneas en Francia , 2006,
Abstract: Susana Soca abre su poema “En un país de la memoria” con elsiguiente epígrafe :I think the chief reason we have so little joy is that we take ourselves, too seriously.Thomas Merton“En un país de la memoria” es el poema que da título a uno de los libros de esta autora, ocupando además una posición central en él. De modo que podemos considerarlo nuclear en la obra. Qué importancia adquiere, entonces, la cita de Thomas Merton ? En qué medida un epígrafe puede modificar o completar un texto ?No...
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