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Cartas en/desde Berlín: Morir en Berlín de Carlos Cerda y El desierto de Carlos Franz
Lillo C,Mario;
Acta literaria , 2009, DOI: 10.4067/S0717-68482009000200006
Abstract: letters from/in western and eastern berlin are the starting point of this article, in which we examine the illocutionary and perlocutionary strength of this textual type in the novels morir en berlín by carlos cerda and el desierto by carlos franz. additionally, the article discusses the problems of guilt, forgiveness, memory, told/lived history and some intertexts that link both novels.
ELEMENTOS GóTICOS EN UNA CASA VACíA DE CARLOS CERDA
Cisternas,Cristián;
Revista chilena de literatura , 2010, DOI: 10.4067/S0718-22952010000100004
Abstract: this article is an analysis of una casa vacía (1996), a novel written by the chilean author carlos cerda. this analysis is based upon the identification of elements of the gothic imaginary at different levels of this narrative. the functioning of these elements is studied within the basically realistic frame of the novel, in order to establish the permeable boundaries between testimonial narrative, the official history and its metaphorizations. the ultimate allegory that the novel builds around a former torture house and its inhabitants finds its correspondence with the final period of the military dictatorship (1973-1989) and the torture practices carried by government organizations against civilians. nevertheless, this article tries to show the difficulty of testimonial realism in order to write a novel about the suffering and decadence of the chilean society of the period, without succumbing to a manichean concept of the narrative function.
ELEMENTOS GóTICOS EN UNA CASA VACíA DE CARLOS CERDA  [cached]
Cristián Cisternas
Revista Chilena de Literatura , 2010,
Abstract: Este artículo es un análisis de la novela Una casa vacía (1996) del escritor chileno Carlos Cerda, basado en la identificación de elementos de imaginería gótica en distintos niveles de la obra. Se estudia el funcionamiento de estos elementos dentro del marco esencialmente realista de la obra, para intentar establecer los límites cruzados entre el testimonio, la historia oficial y sus metaforizaciones. La alegoría final que la obra novelesca construye en relación con la antigua casa de tortura y sus habitantes, se corresponde con el período final de la Dictadura Militar (1973-1989) y las prácticas de tortura realizadas por organismos de gobierno contra civiles. Sin embargo, también se trata de mostrar la dificultad del realismo testimonial para escribir una novela sobre la degradación y el sufrimiento de la sociedad chilena del período, sin caer en una ideología maniquea de la narración. This article is an analysis of Una casa vacía (1996), a novel written by the Chilean author Carlos Cerda. This analysis is based upon the identification of elements of the Gothic imaginary at different levels of this narrative. The functioning of these elements is studied within the basically realistic frame of the novel, in order to establish the permeable boundaries between testimonial narrative, the official history and its metaphorizations. The ultimate allegory that the novel builds around a former torture house and its inhabitants finds its correspondence with the final period of the Military Dictatorship (1973-1989) and the torture practices carried by Government Organizations against civilians. Nevertheless, this article tries to show the difficulty of testimonial realism in order to write a novel about the suffering and decadence of the Chilean society of the period, without succumbing to a Manichean concept of the narrative function.
Franz Kugler
Eric Garberson
Journal of Art Historiography , 2011,
Abstract: Review of: Michel Espagne, Bénédicte Savoy, Céline Trautmann-Waller, Franz Theodor Kugler. Deutscher Kunsthistoriker und Berliner Dichter, Akademie Verlag, Berlin, 2010. Reviews a collection of essays based on papers delivered at the Berlin conference (2008) celebrating Franz Kugler (1808-1858), a key figure in the disciplinary history of art history and an active player the cultural and intellectual life of Berlin in the mid-nineteenth century. Written by historians, art historians, and historians of literature, these essays examine Kugler’s work as an art historian, critic, journal editor, Prussian bureaucrat, poet, and member of several art and literary societies.
Interview - Carlos Carvalho Entrevista - Carlos Carvalho  [cached]
Letícia Silva de Jesus
Discursos Fotográficos , 2013, DOI: 10.5433/1984
Abstract: Entrevista - Carlos Carvalho Entrevista - Carlos Carvalho
LA FRAGILIDAD DE LA ESCRITURA. Entre el torrente y el desierto:morir ahogado o morir calcinado  [cached]
POTDEVIN PHILIP
Desde el Jardín de Freud , 2001,
Abstract: LA FRAGILITé DE L'éCRITURE OH L'activité créatíve dans l'écriture est une lutte permanente entre ce queje veux dire et ce queje n 'énonceraijamais. Ou doit-on tracer le seuil de l'explicite ti !'intime? Une lutte profonde a lieu: le deuil de l'écrivaín avec soi, la crainte ti déshabíller le tréfonds par l'intermédiaire des sujets, des situatíons et des personnages. L'écriture m'approche de la mortparee que la mort est ambigue. Maís sí l'écríture m'approche de la mor!, celle-ci arrive par le plaísir, par le désír.
La muralla enterrada: Carlos Franz (2001)  [cached]
ángeles Donoso M
EURE (Santiago) , 2004,
Abstract:
Franz Kafkas Deutsch
Nekula, Marek
Linguistik Online , 2003,
Abstract: The present paper is concerning with Franz Kafka's German. It calls in question the theories about the poor, impoverished and insular character of Kafka's Prague (ghetto) German in isolation from a German speaking community. The paper presents Franz Kafka's in its temporal, regional and social context: (1) His German participates in the contemporary development of the German language. (2) The German of his private letters and diaries is a variety with several spoken and Bavarian characteristic features in the phonology, morphology, syntax and lexicon, but the German of his official letters and manucripts contains largely only lexical, especially terminological law Austriacisms. So Franz Kafka had a good command of all language registers. (3) Some phenomena in Franz Kafka's German have parallels in Czech and Yiddish. Some of these phenomena are to interpret as Baiuvarisms too, some other as collective phenomena in the German speaking in Bohemia.
Opportunities for Nuclear Astrophysics at FRANZ  [PDF]
R. Reifarth,L. P. Chau,M. Heil,F. Kaeppeler,O. Meusel,R. Plag,U. Ratzinger,A. Schempp,K. Volk
Physics , 2009, DOI: 10.1071/AS08061
Abstract: The "Frankfurter Neutronenquelle am Stern-Gerlach-Zentrum" (FRANZ), which is currently under development, will be the strongest neutron source in the astrophysically interesting energy region in the world. It will be about three orders of magnitude more intense than the well-established neutron source at the Research Center Karlsruhe (FZK).
LA ENSAYíSTICA DE MARTíN CERDA  [cached]
José Alberto de la Fuente
Universum : Revista de Humanidades y Ciencias Sociales , 2010,
Abstract: El propósito de este trabajo es realizar un rastreo y precisión de las categorías ensayísticas de Martín Cerda (1930-1991). Se sabe que escribió más de cuatro mil fragmentos y algunos libros completos que se quemaron en su residencia de la Universidad de Punta Arenas. Actualmente, sólo contamos con la evidencia de tres recopilaciones y un libro -La palabra quebrada, ensayo sobre el ensayo,(1982)- el cual tiene un tema situado y una orgánica que permite apreciar las características de su estilo, la finalidad que le atribuye al ensayo, justificar sus localizaciones y meditaciones sobre Montaigne, la visión burguesa del mundo y otras cuestiones como el exilio, las guerras y las enfermedades. En contribución a los estudios eidéticos, la obra de Martín Cerda no puede seguir postergándose en el campo de la teoría y de la crítica literaria. En esta oportunidad, según mi perspectiva y pauta de lectura, comparto los resultados de un ejercicio hermenéutico sobre el Vivir, el Leer, el Escribir, el Ensayar, el Ensayo, el Ensayista y el Crítico. Mi hipótesis es la siguiente: El discurso crítico de Martín Cerda identifica a un tipo de intelectual que más que preocuparse de cómo vivir, sus esfuerzos académicos y cotidianos están puestos en cómo pensar el mundo a partir de sus experiencias políticas, estéticas, discursivas y culturales, escritas al margen de los textos y del reconocimiento social. Los fragmentos y retazos que conocemos de su obra, son el resultado de disquisiciones y preguntas que emergen al mundo real a través del "alma y las formas" de la literatura moderna y contemporánea, concibiendo al lector como la posibilidad de mitigar un destino desde la sensibilidad poética, de la observación científica y de las conversaciones. The purpose of this work is to search and essayistic defined categories of Martin Cerda (1930-1991). We know who wrote more than four thousand fragments and some complete books were burned at his residence at the University of Punta Arenas, now we have only the evidence of three collections and a book La palabra quebrada, ensayo sobre el ensayo (1982 ), which has a theme and an organic set can appreciate the characteristics of his style, the purpose assigned to the essay justifying their locations and meditations on Montaigne, bourgeois view of the world and other issues such as exile, wars and diseases. In contribution to the studies eidetic, Martin’s work can no longer be delayed sow in the field of theory and literary criticism. In this opportunity in my perspective and reading frame, share the results of a hermeneutic exercise on
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