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CARMEN MIRANDA Y LA ESTéTICA DEL EXCESO
PIZARRO,ANA;
Atenea (Concepción) , 2009, DOI: 10.4067/S0718-04622009000200002
Abstract: in this paper i analyze the novel las noches de carmen miranda (2002) by the chilean writer lucía guerra as part of the imaginary on brazilian actress carmen miranda (1909-1955). as a latin-american icon of international mass culture, carmen miranda develops an esthetics of excess that is recognizable in its over elaborated tropical style. lucía guerra's text incorporates kitsch as a theme, but fails to do the same with the sensibility of a personage that is complex from the point of view both of the historical context and esthetics.
CARMEN MIRANDA Y LA ESTéTICA DEL EXCESO  [cached]
ANA PIZARRO
Atenea , 2009,
Abstract: En este artículo se analiza la novela Las noches de Carmen Miranda (2002), de la escritora chilena Lucía Guerra, como una de las formas que asume el imaginario sobre la actriz brasile a (1909-1955). Icono latinoamericano de la cultura de masas internacional, Carmen Miranda desarrolla una estética del exceso reconocible en su recargado estilo tropical. El texto de Guerra incorpora lo kitsch como temática. Sin embargo, no logra tocar la sensibilidad que implica el tratamiento de un personaje complejo desde el punto de vista de su contexto histórico y de su estética.
Carmen Miranda’s white dress: ethnicity, syncretism and subaltern sexualities in springtime in the rockies Carmen Miranda’s white dress: ethnicity, syncretism and subaltern sexualities in springtime in the rockies
José Gatti
Ilha do Desterro , 2008,
Abstract: This essay calls for a reassessment of Carmen Miranda's work in Hollywood. Her singing and dancing can reveal unexpected ethnic and cultural alignments. The focus here is on the costumes she designed for Springtime in the Rockies, a Fox musical in which Brazilian as well as Native American cultural references are made explicit in Miranda's performance. This essay calls for a reassessment of Carmen Miranda's work in Hollywood. Her singing and dancing can reveal unexpected ethnic and cultural alignments. The focus here is on the costumes she designed for Springtime in the Rockies, a Fox musical in which Brazilian as well as Native American cultural references are made explicit in Miranda's performance.
Representa??es regionais em Carlos Gardel e Carmen Miranda
Kerber, Alessander;
Estudos Históricos (Rio de Janeiro) , 2009, DOI: 10.1590/S0103-21862009000200004
Abstract: in this article we intend to analyze the representations of regional identities in the songs and images of carlos gardel and carmen miranda. the hypothesis is that those artists were important in the process of negotiation and building of argentinean and brazilian national identities. in their songs, images and performance, there were also representations of regional identities, some of which have been taken as national ones.
Carmen Miranda and the good neighbours Carmen Miranda e os good neighbours  [cached]
Tania da Costa Garcia
Diálogos , 2010, DOI: 10.4025/dialogos.v7i1.222
Abstract: This article has its focus on the analisys of the Carmen Miranda`s film features, produced by 20th.Century Fox Films, during the time of the Inter-American Policy ( Política de Boa Vizinhan a), mainly after the creation of the Office of Coordinator of Inter-American Affairs , in august of 1940. The study of these features aims the comprehension of how the characters represented by this artist had contributed, in the forties, for the "panamerican tradition" diffusion, promoting a Latin America′s subordinated liaison with the United States of America. O presente artigo tem por objeto de análise os filmes de Carmen Miranda produzidos pela 20th. Century Fox durante a Política de Boa Vizinhan a, mais exatamente após a cria o do Office of Coordinator of Inter-American Affairs (agosto de 1940). O exame destas películas objetiva entender de que maneira as personagens interpretadas pela referida artista e os filmes musicais norteamericanos contribuíram, nos anos 1940, para a difus o da tradi o panamericana, promovendo uma aproxima o subordinada da América Latina com os Estados Unidos.
A Fixed Point Theorem Based on Miranda  [cached]
Uwe Sch?fer
Fixed Point Theory and Applications , 2007, DOI: 10.1155/2007/78706
Abstract: A new fixed point theorem is proved by using the theorem of Miranda.
A Fixed Point Theorem Based on Miranda  [cached]
Sch?fer Uwe
Fixed Point Theory and Applications , 2007,
Abstract: A new fixed point theorem is proved by using the theorem of Miranda.
Sob a sombra de Carmen Miranda e do carnaval: brasileiras em Los Angeles
Beserra, Bernadete;
Cadernos Pagu , 2007, DOI: 10.1590/S0104-83332007000100014
Abstract: this article discusses how middle and upper-middle class brazilian women deal with their exoticized images in los angeles. it points out that although originally articulated from hollywood (carmen miranda), within the limits of the hierarchy of nations and colonialism, today these images are also fed and recreated by brazilians. one of the central ideas presented is that, despite constraining the movements and actions of the women, imposing on them the need to dialogue with their content, these exotic images do not do it permanently. in other words, in the process of integration, there is always room for negotiation of other images and contents that depend on factor other than exoticization itself.
La consumición del deseo: Acerca de las Noches lúgubres de José Cadalso The Consumption of Desire: On the Noches lúgubres by José Cadalso
Samuel Monder
Acta Literaria , 2007,
Abstract: De acuerdo con las Noches lúgubres, de José Cadalso, la satisfacción del deseo es una oscura empresa cercana al horror; su protagonista, Tediato, se propone desenterrar el cuerpo de su amada sólo para acostarse con ella y prender fuego a la casa. Tomando este proyecto al pie de la letra, vamos a explorar el lado oscuro del deseo siguiendo la lógica que sugieren dos campos asociativos: uno relacionado con el desentierro y otro con el incendio. According to Noches lúgubres, by José Cadalso, the fulfillment of desire is a gloomy enterprise surrounded by horror; its main character, Tediato, sets out to unbury the corpse of her lover just to lie in bed with her while burning down the house. Taking Tediato at his word, this paper will explore the dark side of desire as constructed by different associative fields: one related to the unburying of the body and the other to the torching of the house.
La consumición del deseo: Acerca de las Noches lúgubres de José Cadalso
Monder,Samuel;
Acta literaria , 2007, DOI: 10.4067/S0717-68482007000100006
Abstract: according to noches lúgubres, by josé cadalso, the fulfillment of desire is a gloomy enterprise surrounded by horror; its main character, tediato, sets out to unbury the corpse of her lover just to lie in bed with her while burning down the house. taking tediato at his word, this paper will explore the dark side of desire as constructed by different associative fields: one related to the unburying of the body and the other to the torching of the house.
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