%0 Journal Article
%T Politics of Aesthetics and the Neo-Avant-Garde in Brazil
%A Marina Corr¨ºa
%J Open Access Library Journal
%V 4
%N 1
%P 1-17
%@ 2333-9721
%D 2017
%I Open Access Library
%R 10.4236/oalib.1103155
%X <div style="text-align:justify;">
	<span style="line-height:1.5;">The discussion of the aesthetics of the avant-gardes
needs to be considered as a global issue, even though its representation
differs with each country of origin. This paper will discuss the methods of
representation employed by two diametrically opposed artists, whose roots go
back to the Brazilian neo-avant-garde movement:
Eduardo Kac and Andr¨¦ Vallias. This analysis of the avant-gardes within the aesthetic of Modernity is based on Jacques Ranci¨¨re¡¯s ¡°r¨¦gimes esth¨¦tiques¡±, his idea of the ¡°partage du sensible¡±, and on the
combination of his concepts of ¡°m¨¦sentente et malentendu¡±. In particular, we
will address one specific question related to poetry since the beginning of the
Modernity: how does post-neo-avant-garde poetry transfer subjectivity from the poem¡¯s
immanence to the reader¡¯s/viewer¡¯s perception and inter-activity?</span>
</div>
%K Modern Literature
%K Politics of Aesthetics
%K Regimes Esthetiques
%K Neo-Avant-Garde
%K Jacques Ranci¨¨re
%K Eduardo Kac
%K Andr¨¦ Vallias
%U http://www.oalib.com/paper/5276014